Mark Dion: Henry L. and Natalie E. Freund Visiting Artist Lecture
Mark Dion will deliver the Henry L. and Natalie E. Freund Visiting Artist Lecture as part of the Sam Fox School’s Public Lecture Series at WashU.
About Mark Dion
Mark Dion’s work examines the ways in which dominant ideologies and public institutions shape our understanding of history, knowledge, and the natural world. Appropriating archaeological, field ecology, and other scientific methods of collecting, ordering, and exhibiting objects, Dion creates works that question the distinctions between “objective” (“rational”) scientific methods and “subjective” (“irrational”) influences.
Dion frequently collaborates with museums of natural history, aquariums, zoos, and other institutions mandated to produce public knowledge on the topic of nature. By locating the roots of environmental politics and public policy in the construction of knowledge about nature, Mark Dion questions the objectivity and authoritative role of the scientific voice in contemporary society, tracking how pseudoscience, social agendas, and ideology creep into public discourse and knowledge production.
He is the co-director of Mildred’s Lane, an innovative visual art education and residency program in Narrowsburg, New York. He earned a BFA and an honorary doctorate from the University of Hartford and attended the Whitney Museum of American Art’s Independent Study Program. He also holds an honorary doctorates from The Wagner Free Institute of Science in Philadelphia and University of Massachusetts. Dion lives with his wife and frequent collaborator Dana Sherwood in Copake, New York, and works worldwide.
More Upcoming Lectures
Apr 15 at 5:30pm • Museum Lobby
Being and Becoming in Contemporary Chinese Art
This talk by Peggy Wang, associate professor of art history and Asian studies at Bowdoin College, addresses the conflicting pressures that artists in China confronted during the 1990s and early 2000s, including rapid urbanization and cultural globalization. Even as they navigated political constraints and deficits in resources, contemporary artists enacted productive strategies for making and exhibiting their art. This lecture foregrounds artists’ assertions of being and becoming, both as critical tactics for configuring identity and generative topics unto themselves. Wang will particularly examine how artists studied the vibrant dynamics of change through temporal, historical, and material dimensions in their art.
This lecture is presented in conjunction with the exhibition Looking Back Toward the Future: Contemporary Photography from China, on view at the Kemper Art Museum from February 27 to July 27, 2026.
Part of the Sam Fox School Public Lecture Series